It's delightful, it's delicious, it's dlevy!

I post about musicals a lot. Find me on Twitter: @itsdlevy. You might also enjoy my other Tumblrs, Fuck Yeah Stephen Sondheim and Fuck Yeah Dorothy Fields.

Recent Comments

Powered by Disqus
Recent Tweets @itsdlevy
Posts tagged "Audra McDonald"
me2ism:

colorsinchords:

WHEN IN THE HELL DID THIS HAPPEN AND WHY WASN’T I THERE?

INTERNET. TELL ME WHAT THEY ARE SINGING AND SEND ME AN AUDIO PLEASE.

They’ve appeared together a couple of times. Based on what they’re wearing, this appears to be from the Good Medicine benefit at UCLA in February of 2008. I can only find clips of their solos, but maybe that will give you enough to find more info?

me2ism:

colorsinchords:

WHEN IN THE HELL DID THIS HAPPEN AND WHY WASN’T I THERE?

INTERNET. TELL ME WHAT THEY ARE SINGING AND SEND ME AN AUDIO PLEASE.

They’ve appeared together a couple of times. Based on what they’re wearing, this appears to be from the Good Medicine benefit at UCLA in February of 2008. I can only find clips of their solos, but maybe that will give you enough to find more info?

mr-hoover-hooper:

Audra McDonald and Mary Testa sing “Stepsister’s Lament” from CINDERELLA. Let’s talk about how underrated Mary Testa is, please. 

Do you think if all of us fans on Tumblr pooled our money we could hire Mary Testa to do a private concert for us, perhaps where she performs songs we request?

(via dotseurat)

In 1998, for the Gershwin Centennial, Audra McDonald and Brian Stokes Mitchell joined Michael Tilson Thomas and the San Francisco Symphony to record a suite of songs from Porgy and Bess. Interestingly, this is the only song of the suite that actually belongs to Bess. If you’re listening to the new Broadway cast recording and longing to hear Audra sing the role with a full orchestra, this recording might do the trick. 

Audra McDonald and Michael Cerveris: “Move On” from Sunday in the Park with George

(Going out by request!)

god-thats-good:

Musical Tribute to Barbara Cook

Thoughts while watching this video: (“Live blog”

  • Laura Osnes you came from a shitty reality star search show but you are okay.
  • They really couldn’t have picked a better Music Man song?  I mean really?
  • Kelli O’Hara why aren’t you just singing the high note from Vanilla Ice Cream?  Who cares about this song.
  • Glenn Close this is not Sunset Boulevard.  All I can see is Norma Desmond.  Plus you come off as such a Phyllis to me.
  • Whoa Sutton I love you but “Everybody Says Don’t”?  Just why?  Was this from Barbara’s cabaret acts?
  • Patti why are you wearing a collared potato sack?
  • Audra you take it home baby!
  • I have no idea what that final chorus song is.  Does that make me a bad gay?
  • Oh wait that’s from Candide.  Never mind.  Why didn’t anyone tackle “Glitter and be Gay?”  Were they worried about shitting their pants infront of the Queen?  Ah if only Madeline Kahn were still alive :(

I missed watching this the other night, hence my commentary.

During Glenn Close’s number, I’m pretty sure Barbara wanted to leap from the balcony and give her a masterclass in how to actually sing.

But seriously? Audra is so far and above everyone else on that stage. And I liked Patti and Kelli and Rebecca and Laura and even Sutton (except that I think she fucked up the lyrics), but none of them can hold a candle to Audra McDonald.

0 plays
Audra McDonald,
Jule Styne In Hollywood

Counting the Omer with Showtunes Day 32: “Ten Thousand, Four Hundred and Thirty-Two Sheep” from the film West Point Story, performed by Audra McDonald from the album Jule Styne in Hollywood.

The song was introduced by Doris Day. Her version is equally charming:

 

dietschweppes:

Don’t Rain on My Parade - Patti LuPone

The first time I saw Patti live, it was her concert at the Hollywood Bowl with Audra McDonald back in July of 2000. Patti opened the show with this song, and — in front of a crowd of approximately 18,000 gay men — forgot the lyrics. I’m pretty sure she “forgot” the lyrics on purpose to garner the sympathy of the crowd, who naturally all chimed in to help her out. The whole thing sort of disgusted me.

Audra, however, was thrilling.

That night was the first time the two of them performed the famous Judy/Barbara “Get Happy / Happy Days Are Here Again” duet. It was magical, although clear that Audra outclassed Patti by a long shot. (The Variety review agreed.)

I’ve since seen both of them several times, mostly in shows rather than concerts. Audra has never failed to thrill me. Patti has grown on me over time; her performance in Gypsy being the absolute pinnacle. Still, despite Patti’s “erratic” performance at that Bowl concert (which was Audra’s Bowl debut), I’m glad I was there. It was definitely one of those historic concerts that people will be talking about for many years. Hell, Patti and Audra have continued performing that duet — here’s a performance from this past February.

(via somethingbypuccini)